3rd EDITION 6-8 NOV 2026
FIN DE SIÈCLE
Europe at the turn of the 20th century
3rd EDITION 6-8 NOV 2026
FIN DE SIÈCLE
Europe at the turn of the 20th century
Martin Ng is a prominent, Singaporean baritone opera singer. He graduated in Voice and Opera from the Conservatorio E.F. Dall’Abaco in Verona. He has performed leading baritone roles across Asia and Europe. His upcoming engagements include appearances with the Singapore Lyric Opera and New Opera Singapore.
…………………………………
Piano Duo
Katy Lo Wing , is a pianist and a piano teacher based in Phnom Penh. She has been classically trained in Hong Kong since the age of four and is certified by The Associated Board of the Royal Schools of Music.
After graduating from university, Katy moved to Phnom Penh in 2012 and started teaching and giving concerts ever since. Katy has a genuine love of music and always inspires that passion in others, especially her students. She now gives individual piano lessons at The International School of Phnom Penh.
Sakano Issei started piano at the age of three. He had been studying piano, music theory and composition under Japanese teachers for 15 years. After coming to Cambodia in 1992, he had been away from music for years, but has resumed musical activities recently. Issei performances occasionally in Phnom Penh mainly as a piano accompanist as well as Piano Four-Hands projects.
……………………………………
Rong Sereyvann, started to play the piano in the age of 16 and joined the Royal University of Fine Arts. His major and most relevant teacher is Dr. Him Sophy. He went to the USA for the Opera production “Where Elephant Weep” where he gained international experiences. In addition, Sereyvann improved his piano-technique and musical understanding in master classes with Stephan Rahn. Sereyvann obtained his Bachelor Degree for Music this year.
……………………………………
Prof. Dr. Monika Henneman, Musicologist
“I am Professor of Music at Cardiff University School of Music, International Dean for the College of Arts, Humanities and Social Sciences, and a Co-Director of the Centre for Interdisciplinary Research into Opera and Drama. As a scholar, I am a musicologist, cultural historian, linguist and translator. My main interests are the music, literature, and art of the German- and English- speaking world from the late eighteenth century to the present day. Specialisms include 19th-century opera; Lieder, song, and performance-practice.